The HekIfINoWatItIs Projectile Point Type



Figure One. Side A of a 2.8 inch long Hekifinowatitis prehistoric knife form found in 1905 
in Natrona County, Wyoming by George Cobban. John Bradford Branney Collection.  

I wonder what Paleoindians would think about us 'modern-day folk' expending so much time and effort discussing, describing, identifying, naming, and classifying their prehistoric tools, especially stone projectile points? Would they say, "Hey man, I was just making something to help get something to eat!" 

In my opinion, we have gone way overboard classifying every projectile point into a cubby hole filled with projectile point lookalikes. And when we can not place a particular projectile point into a cubby hole with other cubby holed projectile points, some cubby holer comes up with a new projectile point type. But, what if that prehistoric flintknapper who created that new oddball projectile point was just having a bad flint day? Or maybe he or she wanted to create something different on that day or week or year. Or maybe, just maybe, he or she was just not as skilled as their fellow flintknappers. I am sure prehistoric people were less interested in meeting some conformance criteria than using the projectile point to kill game they could eat.   

Figure Two. WINDS OF EDEN, the third book in the SHADOWS
ON THE TRAIL Quadrilogy. CLICK TO ORDER BOOK SERIES  

As an artifact hunter, I have to admit that I get caught up in the cubby holing as much as the next guy or gal. I am guilty of wanting every projectile point classified and cataloged. After finding and collecting thousands of projectile points, it is not easy to categorize every projectile point into an existing projectile point type. There are lots of what I call "tweeners" (between projectile point types) out there.   

I took the book passage in blue from my prehistoric adventure titled WINDS of EDEN. In this passage, an elder in the tribe is teaching young children the art of flintknapping on one of the most difficult projectile point types to knap, the Folsom point. We wonder why there is so much latitude and variation in a specific projectile point type, inexperienced knappers might be one reason why.            

The old man woke up from his nap when the sun was starting its descent in the sky. He reached over and picked up his satchel. He pulled out a large red and gray striped rock and sat staring at it. He rubbed the rock between his thumb and forefinger while thinking about everything that had happened to him since he had carried the rock from the canyon. Much had happened in his life since then, some of it good and some of it bad. When the old man finished reminiscing, he gently placed the red and gray striped rock back into the satchel. Then, with satchel in hand, the old man stood up and left his tipi. When he was outside the tipi, he had to shield his aged eyes from the bright sun. He slowly edged his way to a flat boulder next to his campfire where he sat down. Then, he pulled five unfinished spear points from the satchel. He laid the unfinished spear points down on the boulder next to him and then dug through the satchel, pulling out a cylinder–shaped punch made from an antler, a large antler hammer, small squares of bison hide, and a sharp deer antler tine. He placed these items next to the five unfinished spear points. He leaned over and picked up a flat rock at the base of the boulder. He set the flat rock down next to his other supplies. When the old man looked up, a young boy was running like the wind towards him.

“Haw! – Hello!” the old man said to the young boy when he arrived at the campfire.

“Haw!” the boy replied, somewhat out of breath. “I want to watch you.”

“Waste! – Good!” the old man declared with a grin.

The young boy sat down as close to the old man as possible without actually sitting on the old man’s lap. The old man picked up the first spear point and handed it to the young boy.

“He táku hwo? – What is it?” the old man asked.

The boy studied the piece of chert, his face frozen in a frown as he concentrated on the old man’s question. The young boy flipped the rock over in his hands, studying every surface. His eyes narrowed as he scrutinized the base of the spear point. Between the two sharp ears at the corners of the base of the spear point, the young boy spotted a tiny knob of chert, jutting out at the middle of the base.

What would we expect from young children making complicated projectile points? We sure would not expect perfection, and we would expect variation! A few of the points might resemble a Folsom point while others might not. If you or I found the children's efforts some twelve thousand years later, we might call them Folsom points or we might call them something entirely different.   

In my prehistoric artifact collection, I have many artifacts that I cannot classify into a specific projectile point types. So I made my own projectile point type up. I call it Hekifinowatitis. Figures one and three are photographs of a Hekifinowatitis knife form found in 1905 south of Casper, Wyoming by a man named George Cobban. This is not the first artifact I have run across from Mr. Cobban's late 19th / early 20th Century collection. George Cobban appeared to get around on the high plains. I cannot even imagine how good artifact hunting was in 1905. Sigh! 

This Hekifinowatitis knife form measures 71 mm long (2.8 inches long), 37.5 mm wide, and 6 mm thick for a width to thickness ratio of 6.3, falling below the arbitrary ratio of 7 or greater for ultrathin knife forms. This artifact’s flintknapper used uncommon Hartville Uplift pretty-in-pink dendritic jasper. 

Figure Three. Side B of the Hekifinowatitis knife form found in 1905
in Natrona County, Wyoming. John Bradford Branney Collection.  

Some people believe that this knife form came from the Jimmy Allen Paleoindian Complex after the artifacts found at the Jimmy Allen site south of Laramie, Wyoming. However, I am sticking with the Hek-if-i-no-wat-it-is projectile point type. The knife form exhibits phenomenal workmanship and fine marginal retouch. The flaking patterns exhibit Paleoindian influences. If I had to guess, which I am doing, I would guess that a Paleoindian made this Hekifinowatitis sometime between eleven and eight thousand years ago. 

What do you think? 

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Shadows from the Cody Complex!

Figure One.  

Figure one is courtesy of The Horner Site - The Type Site of the Cody Cultural Complex by George C. Frison and Lawrence C. Todd. The image first appeared in Rocky Mountain Empire Magazine in 1949, a time before archaeology officially recognized the Cody Complex. At that time, archaeologists and collectors were still referring to most Paleoindian projectile points in the broad category called Yuma points. 

From the looks of the human in figure one, the artist believed that the Paleoindians who occupied the Horner site were semi-intelligent, apelike cavemen covered in fur and with calves the size of beer barrels. The artist's depiction looked like something straight out of a DC or Marvel superhero comic book. Personally, I believe that the crude image of the Paleoindian could not be farther from the truth. In 1949, they did not know what we now know about Paleoindians. When I wrote my prehistorical fiction book series about Paleoindians titled the SHADOWS on the TRAIL Pentalogy, I portrayed Paleoindians as smart, savvy, and industrious. Paleoindians survived in a rugged and unforgiving environment, a place and time most of us spoiled, modern folk could never survive. We would have ended up starving to death or eaten by a large predator. It took physical strength and intellectual savvy to survive in that brave, untamed world. To demonstrate what I mean, let me take you on a brief visit to one of my books. 

The [bison] cows crowded the bull, the smell of water luring them into the arroyo. The bull stood his ground, pawing the ground and bellowing. The cows shoved the bull, attempting to push him up the arroyo, but he held his ground. Then, one by one, the cows went around the bull, passing through to the inside of the wooden fence.

Chayton knelt with Hoka on top of the hill, patiently waiting for the last of the cows and calves to enter the arroyo. When the  

Figure Two - 4-inch-long discoidal biface that was 

the inspiration for SHADOWS on the TRAIL. 
John Bradford Branney Collection.  

last of the tatanka [bison] entered the arroyo, he signaled a hunter on another hillside. Chayton had wanted the tatanka bull in the trap, but it was not going to happen. The hunters would just leave him alone. There was too much risk attacking the bull on the open prairie. The hunt would be more than successful with the cows and the calves. Chayton would let the last of the herd get to the wakan ya [underground spring] and start drinking before he signaled the attack.

“WANA! – NOW!” Chayton bellowed and the hunters sprung the trap. A hunter signaled Tah and Wiyaka who lit their torches and then raced to the arroyo with the other hunters. The hunters arrived at the wooden fence and dropped more deadwood in the gap between the two sides of the arroyo. The hunters then picked up a large log that was lying behind the fence and set it down across the top of the fence. They had sealed the herd into the arroyo, but it would take fire to hold the herd. Tah looked up and saw that the tatanka [bison] bull had already taken off running, abandoning his herd. Tah and Wiyaka threw the torches on the wooden fence and it erupted into flames. Smoke rose as the flames burned into the green sagebrush, creating a huge smoke screen. The smoke signaled Chayton and the other hunters to attack. Carrying large bundles of spears, the hunters ran up to both sides of the arroyo and began heaving spears at the unwary herd. The herd milled around the wakan ya [natural water spring], confused by the spears and the smoke.

A rain of spears fell on the herd from three sides of the arroyo…

The above passage came from my prehistoric adventure titled GHOSTS of the HEART, the second book in my prehistoric series entitled the SHADOWS on the TRAIL Pentalogy. A Paleoindian artifact I found on private land in northern Colorado inspired the book series (figure two). Based on my knowledge of the site where I found the Paleoindian artifact, the four-inch-long discoidal biface made from Alibates agatized dolomite most likely came from the Folsom or Clovis Complex (figure two).   

Figure Three - CLICK ON THIS LINK to find this book

However, this article is about another group of real-life Early Holocene hunter-gatherers who lived a thousand or so years after the Folsom People. We call that culture, the Cody Complex. The lifestyles of the Cody Complex culture did not change much from that of the Folsom people. Both Paleoindian cultures were nomadic hunters and gatherers who centered their lifestyles around bison procurement, and when they could not find bison, they scavenged whatever they could find to survive. 

Figure Four - Recently Found Scottsbluff 
point in northern Colorado.  

 

Cody Complex projectile points and knife forms are some of the most distinctive and sought-after artifacts in Prehistoric America. Based on archaeological data, it appears that the people who made Cody Complex artifacts occupied North America for approximately 2,800 years (Knell and Muniz 2013:p.13). The geographical reach of Cody Complex artifacts is second only to the Clovis prehistoric culture. Cody Complex artifacts can be found from the Great Basin on the west to the St. Lawrence River on the east, and from the Canadian plains on the north to the Texas gulf coast on the south. 

G. L. Jepsen (1951) first coined the term Cody Complex to describe the coexistence of Scottsbluff and Eden points with Cody Knives at the Horner site near the town of Cody in northwestern Wyoming. In archaeology, a complex is defined as a cultural group of related traits or characteristics that combine to form a complete activity, process, or cultural unit. The presence of several key implements or tool types found in association defines a lithic complex. 

In her classic book Ancient Man in North America, Marie Wormington (1957) formalized the Cody Complex and proposed that the Cody Knife should be the index type or marker for the Cody Complex even in the absence of projectile points. 

Figure Five - 5.9-inch long Alberta spear point surface recovered by a migrant worker in the 1930s along the South Platte River in Morgan County, Colorado. John Bradford Branney Collection. 

  

In the Dust Bowl years of the 1930s, artifact collectors in Alberta, Canada who hunted sand blowouts discovered a different style of stemmed projectile points associated with Scottsbluff points (collectors and archaeologists called most Paleoindian point styles Yuma points in the 1930s). These different projectile points were larger and bulkier than Scottsbluff points and had longer stems with slightly convex bases (figure five).

Figure Six - Scottsbluff point as found in September 2008.  

Marie Wormington (1957) proposed the name Alberta for this new type of projectile point found in Canada. Some researchers believe that the Alberta point type preceded the other Cody Complex projectile point styles, but radiocarbon dates indicate that although Alberta might have been first, there was temporal overlap with the different Cody Complex projectile point types. It is my contention that Alberta projectile points evolved from the earlier Hell Gap projectile point and then Alberta projectile points became the prototypes for later Scottsbluff and Eden points. We do know that Alberta was the earliest manifestation of the Cody Complex to produce Cody Knives. 

Archaeologists recovered the first Alberta projectile points in situ at the Hell Gap site in Wyoming where investigator Irwin-Williams suggested that Alberta might reflect a trend from the earlier Hell Gap points. In The Hudson-Meng Site: An Alberta Bison Kill Site in the Nebraska High Plains, Bruce Huckell (1978) proposed a projectile point development continuum leading to the development of stemmed Cody Complex projectile points, starting at Agate Basin which evolved into Hell Gap which evolved into Alberta which evolved into other Cody Complex projectile point types. In Prehistoric Hunter-Gatherers on the High Plains and Rockies, Kornfeld, Frison, and Larson (2010) noted that the Alberta component at the Hudson-Meng site was about the same age as the Hell Gap component at the Casper Site, around 10,000 BP (uncalibrated radiocarbon years), making the two types most likely contemporaneous, at least at those two bison kill sites. 

Figure Seven - Cody Complex types from left to right; Alberta, Cody Knife, Scottsbluff, Eden,
Firstview, and Holland. For scale, the Alberta point is 2.5 inches long.
John Bradford Branney Collection.   

The Cody Complex people shared a distinct technology for making projectile points and knife forms that set them apart from other Paleoindians. The photograph in figure seven shows an array of different projectile points and knife forms in the Cody Complex. The first thing that stands out about Cody Complex artifacts is the basal stems. Although a prior technology called Hell Gap used stemming to an extent, Cody Complex took it a step further, squaring the edges to an extent not seen before. The stemming process included the intentional removal of pressure-thinned flakes along the lateral margins. 

From left to right in figure seven; a Wyoming Alberta knife form (2.5 inches long), a Wyoming Cody knife, a Colorado Scottsbluff projectile point, a Wyoming Eden dart point, a Colorado Firstview dart point (could very well be a Midland projectile point), and a western Nebraska Holland (?) dart point. Although Holland projectile points seem to possess several Cody Complex attributes, some researchers believe that Holland evolved out of Dalton projectile points from the midwest.      

Figure Eight - 3.95-inch long Scottsbluff knife form surface found on private land
in Weld County, Colorado in the 1980s. John Bradford Branney Collection.   

 

What was the environment like on the northern plains for Cody Complex people? The culture existed between two major climate change bookends; the cooling-off period during the Younger Dryas ran from about 13,000 to 11,500 calendar years ago, and the heating-up period during the Altithermal ran from about 7,000 to 5,000 calendar years ago. The great spruce forests of the Younger Dryas were mostly gone by Cody Complex times and grasslands dominated the high plains. Forty or so species of the Pleistocene megafauna were already extinct, leaving bison as the 'main game on the high plains. The overall climate during Cody Complex was drier and more prone to drought than the Younger Dryas and less drought-stricken than the Altithermal. You might say that the climate on the northern plains during Cody Complex times was a lot like the climate we have today.  

I hope you enjoyed this brief history of the Cody Complex. Check out the SHADOWS on the TRAIL Pentalogy! Bet you cannot put my books down! 

Frison, George C., and Lawrence C. Todd

1987      The Horner Site - The Type Site of the Cody Cultural Complex. Academic Press.                  Orlando.

Huckell, Bruce

1978     Hudson-Meng Chipped Stone in The Hudson-Meng Site: An Alberta Bison Kill in                 the Nebraska High Plains by Larry D. Agenbroad. Northern Arizona University.   

Jepsen, G. L.

1951     Ancient Buffalo Hunters of Wyoming. Newsletter, Archaeological Society of New                 Jersey, 24:22-24

Knell, Edward J., and Mark P. Muniz

2013     Paleoindian Lifeways of the Cody Complex. University of Utah Press. Salt Lake.

Kornfeld, Marcel, George C. Frison, and Mary Lou Larson

2010    Prehistoric Hunters-Gatherers of the High Plains and Rockies. Left Coast Press.                    Walnut Creek, California.  

Wormington, H. M.

1957    Ancient Man in North America. Denver Museum of Natural History, Popular Series             No. 4. Denver.      

The prehistorical fiction novels written by John Bradford Branney are known for their impeccable research and biting realism. In his latest blockbuster novel Beyond the Campfire, Branney catapults his readers back into Prehistoric America where they reunite with some familiar faces from Branney’s best-selling prehistoric adventure series the Shadows on the Trail Pentalogy.

John Bradford Branney holds a geology degree from the University of Wyoming and an MBA from the University of Colorado. John lives in the Colorado mountains with his wife, Theresa. Beyond the Campfire is the eleventh published book by Branney.

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