Wednesday, February 11, 2015

A Colorado Folsom Point and the Shadows on the Trail Quadrilogy

Figure one - Side B of the Colorado Folsom.
Note that the flute originating at the tip of the point.  John Branney Collection.  
I have been fascinated with Folsom artifacts and the Folsom People for most of my life. Ever since I saw my first Folsom point in person, I have dug through all the information I could find about the mysterious Folsom People and their artifacts. What I found was that they don't call the Folsom People mysterious for nothing. Beyond the artifacts and the few campsites and kill sites that have been excavated, there is little information on them. This is why I wrote my series of books on the Folsom People called the Shadows on the Trail Quadrilogy. I am completely fascinated by the Folsom People and wanted their story told, even if the drama half of the story came out of my head! 

Figure one is a photograph of a Folsom projectile point discovered in Colorado and in my personal collection. The photograph is of Side B of this 1.3 inch-long Folsom dart point found on private land in the San Luis Valley of Colorado and made from what appears to be Black Forest silicified wood from the Colorado Front Range. When the Folsom person made this particular projectile point, he or she did not use what we would consider a normal process. This Folsom dart point started out as a thin, rectangular-shaped flake, not much longer than its current length. 

Figure two - Read Shadows on the Trail
to see how the Folsom People made
their projectile points. Click to Order 
I am sure some of you have noticed that Folsom knapper fluted Side B from the tip down and not from the base up, as normally done. The fluting scar starts at the tip of the projectile point and terminates before it reaches the base. Another indicator that it was fluted from tip down are the percussion ripple scars, which expand downward, like a wave, towards the base of the projectile point, indicating the flaking platform was from the direction of the tip.

At the time the knapper began the Folsom preform that ended up in this point was a rectangular flake. There was no defined base or tip. The Folsom knapper placed the fluting nipple on one end and fluted Side B. Then, he or she made the decision which of the ends would be the tip and which would be the base.

Next, the Folsom knapper created the tip through pressure flaking, then he or she indented the base, and finished the marginal edges with fine pressure retouch. Finally, the knapper thinned the base of Side B with vertical pressure flakes running from base to tip.

Side A is the face of the artifact with my catalog number on it (Figure three). This side has the smooth surface of the original flake. The Folsom knapper did not need to flute this side because it was already plenty flat. Without fluting, this projectile point meets the Folsom criteria for thinness. Next, the Folsom knapper used fine pressure flaking around the perimeter of the flake and called it good. This Folsom projectile point is < 2 millimeters at the flute. Folsom projectile points do not get much thinner than this one.

Figure three - Side A of the Colorado
Folsom projectile point. John Branney Collection. 
Barbara D. (Barry) Johnson found this Folsom projectile point in 1958 on private property in the San Luis Valley of southern Colorado. Mrs. Johnson came from a long line of Colorado artifact hunters. Her parents were avid collectors and her grandparents were Rosco Dennis Mutz and Norma Starr Mutz. The artifact community knew Rosco Dennis as Dennis or R.D. Mutz. Mr. Mutz and his family had one of Colorado’s outstanding collections at the time. He died in 1966 at Fowler, Colorado where he had been postmaster for several decades.

This Folsom projectile point possesses a notarized affidavit from Barbara D. Johnson explaining who she is and exactly where she found the Folsom. The point also possesses two Certificates of Authenticity (COA). On one COA, Jeb Taylor’s comments were that the Folsom point was “Made on a flake where the original dorsal and ventral surfaces were utilized as flutes. This point was probably not much large than it is now.” On the other COA, Bob Knowlton stated, “An interesting Folsom as it was made on a flake and must have been too thin to flute from the bottom, so it was fluted from the tip on Side B – then cleaned and basally thinned from the bottom. It has had one resharpening."
Figure four - Authentic Folsoms are thin and
most can be placed on a flat table and not wobble.
Great craftsmanship was the result.  

For a thrilling adventure with the Folsom People, please read the Shadows on the Trail Quadrilogy! Click below any of the thumbnails of books and you have taken the first step to a wonderful adventure! Enjoy!! 
Figure five - Read Ghosts of the Heart, the
second book in the Trilogy. Click to Order 

Figure six - My latest in the adventure of the 
Folsom People, CROW and the CAVE. . 

Figure seven - Read Winds of Eden,
the finale. Click to Order