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The SHADOWS on the TRAIL Hexalogy captures the realistic Paleoindian life on the High Plains of North America over 12,600 years ago. Join those rugged people on countless adventures and see if you have what it takes to survive the ordeals and challenges facing Paleoindians.
Friday, October 26, 2018
Tuesday, March 20, 2018
Short Faced Bear - Predator, Scavenger, of Just Plain Terror?
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| Figure One - Arctodus simus, the giant short-faced bear. |
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| Figure Two - CLICK for the SECOND EDITION |
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Figure Three - Not sure if this is accurate to scale, but you get an idea of the size of the Arctodus simus. A giant short-faced bear was no laughing matter for Paleoindians.
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| Figure Five - CLICK to ORDER SHADOWS on the TRAIL, the Second Edition |
Wednesday, January 10, 2018
Part I - The "Spark" for CROW and the CAVE, an Adventure by John Bradford Branney
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| CLICK to PREORDER for 10% DISCOUNT |
Our German Shepherd Madd Maxx and I were prehistoric artifact hunting on a ranch in northern
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| Madd Maxx |
As I laid there getting bludgeoned by this beast, I felt relieved when I heard Madd Maxx. I knew that if I heard him, he was still alive and if I was going to save him, I first had to save myself. I yelled for help, but that was futile. I was in the middle of nowhere and my yell had no energy, whatsoever. I
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| Madd Maxx |
CLICK to preorder CROW and the CAVE for 10% Discount
CLICK for Part Two of the "Spark".
Friday, March 24, 2017
The Goshen-Plainview Dilemma
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| Figure Two - CLICK for Book INFORMATION |
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| Figure Four - Montana's Mill Iron Site Goshen projectile points, practically indistinguishable from Texas's Plainview projectile points, but over a thousand years older. |
| CLICK for INFO on John BRADFORD Branney Books Postscript |
John Bradford Branney holds a geology
degree from the University of Wyoming and an MBA from the University of
Colorado. Branney lives in the Colorado mountains with his wife, Theresa. Beyond
the Campfire is the thirteenth book published by Branney.
Monday, March 13, 2017
In the Groove with a Midland Projectile Point
| Figure One - Side A of 1.8-inch-long Midland dart or spear point showing the remnant of an impact fracture that put the projectile point out of service until the user hastily repaired the tip. Ronny Walker surface rescued the 1.8-inch-long Midland dart or spear point in Figure One from a cotton field in Lynn County, Texas. I acquired this Midland point not for its beauty, even though I think it is beauty, but for its character. This projectile point saw a lot of action in its time, and if it could talk, I imagine it would have a pretty interesting story. Side A of the projectile point in Figure One clearly shows part of the impact fracture that damaged the projectile point's tip. The Paleoindian then repaired the projectile point and did a pretty sloppy job with the new tip. Midland projectile points exhibit wide, relatively flat flake scars that produce very flat cross sections. In outline, Midland projectile points resemble Folsom projectile points but are missing the flutes. Collectors and archaeologists often find Midland projectile points associated with Folsom projectile points leading some investigators to call Midland projectile points, unfluted Folsom projectile points. There are a few investigators who believe Midland projectile points and associated artifacts deserve their own cultural designation. Midland projectile points fall within the age range of the Folsom Complex, at around 12,900 to 12,200 years old. In my opinion, the same people made Folsom and Midland projectile points. Before this projectile point ended up in my collection, it belonged to Ronny Walker, Tim Elkins, Ed Rowe, Ron Van Heukelom, and Rodney Michel. Dwain Rogers, Bill Jackson, and Rodney Michel certified this projectile point as an authentic Midland projectile point. Now, I am going to take you on a quick journey back in time to get you in the groove for further analysis of the Midland projectile point. I am setting the dial on my time machine to 10,600 B.C. We will be going on a High Plains elk hunt with a Paleoindian named Chayton. This hunting excerpt is from the first book in my prehistoric saga titled SHADOWS on the TRAIL. |
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| Figure Three - CLICK for SHADOWS on the TRAIL |
| Figure Four - Side B of the Midland dart showing much of the original flaking. The repaired tip is evident, but the impact fracture is on the other face. |
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| Figure Five - Side A showing the impact fracture at the tip and the direction that the force came from that damaged the tip. |
The
historical fiction novels written by John Bradford Branney are known for
their impeccable research and biting realism. In his latest blockbuster novel Beyond
the Campfire, Branney catapults his readers back into Prehistoric
America where they reunite with some familiar faces from Branney’s best-selling
prehistoric adventure series the Shadows on the Trail Pentalogy.
John Bradford Branney holds a geology
degree from the University of Wyoming and an MBA from the University of
Colorado. John lives in the Colorado mountains with his wife, Theresa. Beyond
the Campfire is the eleventh published book by Branney.
Saturday, December 12, 2015
Knapping a FOLSOM POINT with Chayton!
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| FIGURE TWO. Click for SHADOWS ON THE TRAIL |
Folsom points (Figure one) are thin, small to medium size, well-made projectile points with convex sides, a concave basal edge, sharp basal corners and ground stem edges. What makes Folsom projectile points distinctive from other prehistoric stone projectile point types? Besides the remarkable workmanship, the most distinctive characteristic of Folsom projectile points are the flutes or channels that run most of the length up the middle of the projectile point, starting at the base. The knapping skill required to create flutes on a Folsom projectile point is without equal in America’s prehistory. Even modern day knapping experts are challenged in making replica Folsom projectile points using the same tools and materials that were available to Folsom People in the Pleistocene.
When the Folsom People created these thin, fluted, projectile points, they not only created an important component in their weaponry, but they also created works of art. Folsom projectile points are arguably the finest projectile points ever made in North America. No one has yet confirmed the exact manufacturing process that Folsom People used to make these fluted projectile points. This is not to say that people do not have their pet theories. In fact, you can add me to that list of having a pet theory on how Folsom People made their projectile points.
In the first book of the QUADRILOGY titled SHADOWS ON THE TRAIL, I wrote about the
FIGURE THREE. Folsom point surface found on
private land in Natrona County, Wyoming.
John Branney Collection.
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In the scene below from SHADOWS ON THE TRAIL, a young Folsom hunter named Chayton was learning how to make fluted projectile points from Tarca Sapa, a salty old tribal healer. In this scene Chayton shows up and wants Tarca Sapa to tutor him on the finer points of making fluted projectile points.
The platform was where Tarca Sapa focused his eyes. Tarca Sapa looked at each spear point carefully and put each inspected spear point in one of two piles. Once his inspection was over, Tarca Sapa touched the pile with seven spear points and said, “These points are good, the others need work. Now, let me see you drive a flute channel into the spear point.”
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| FIGURE FOUR. 2.5 inch long Folsom preform certified by Greg Perino*. John Branney Collection. |
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| FIGURE FIVE. Striking platform to create flute on projectile point. |
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| FIGURE SIX. Rounded and beveled tip of projectile point. |
The fluted points that Chayton took to Tarca Sapa were not finished and looked like the unfinished Folsom preform projectile point in FIGURE FOUR. An anonymous collector found this Folsom preform projectile point in Mecosta County, Michigan. The material is Norwood Chert. This particular preform was ready for fluting. The Paleoindian knapper had pressure flaked both faces of the preform leaving closely spaced flakes terminating near the middle of the biface. He or she rounded, beveled and abraded the distal end or tip of the preform which aided the fluting process (FIGURE SIX). ight abrasion and grinding on the tip. Isolation of the central portion of the preform base or proximal end took place, leaving a platform nipple in the center of the base. Two pressure flakes were removed from either side of the platform nipple to allow the maker's antler punch to follow the channel flake easier. The platform nipple was beveled, ground, and polished. It was ready for Side A to be fluted. Age somewhere between 10900 and 10200 years ago. Finder unknown. Perino certification. Ex John Baldwin and Ron Van Heukelom Collections. John Branney Collection.

















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